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韦伯恩是20世纪最著名的音乐家之一,其作品大多篇幅短小,语言精练,构思巧妙。《钢琴变奏曲》(OP.27)是最具有韦伯恩个人音乐风格的十二音序列代表作品之一。本文通过对《钢琴变奏曲》第二乐章中的序列原形、序列选择逻辑、序列陈述形态以及十二音和声技术进行初步研究,希望能够加深对于韦伯恩创作思维的了解。
Webern is one of the most famous musicians of the twentieth century, most of his works are short, refined language and cleverly designed. Piano Variations (OP.27) is one of the most representative works of Twelve-tone sequence of the personal style of Webern’s personal music. Through the preliminary study of sequence primitives, sequence selection logic, sequence states and twelve-syllable harmony technique in the second movement of “Piano Variation”, I hope to deepen our understanding of Webern’s creative thinking.