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威廉·布莱克和吉尔·德勒兹虽然身处两个不同的时代,但后者的“逃逸线”理论却是发掘前者后现代思想特质的有力工具。德勒兹在自己的学说中给予了“逃逸线”特别的意义,逃逸线并非是逃避社会,而是强调不屈服于占主导地位的思想体系,规避有负面效果的社会决定条件,为重新创造带来可能。这种逃逸线思想实际上早已出现在布莱克的艺术创作中,尤其是对“线”与“弱势”的认识实质上是他思想体系的重要组成部分。本文试图通过分析布莱克的艺术创作手法来追寻其艺术思想的逃逸线。
Although William Black and Jill Deleuze are in two different times, the latter’s “Escape Line” theory is a powerful tool for discovering the characteristics of the former postmodernism. Deleuze in his own doctrine has given “escape line ” special significance, escape line is not to escape from the community, but stressed not to submit to the dominant ideological system, to avoid adverse social consequences of the conditions for the Reproduction may bring. This idea of escape line has actually appeared in Blake’s artistic creation. In particular, his understanding of “line” and “weakness” is essentially an important part of his ideological system. This article attempts to trace Blake’s artistic creation to find the escape line of his artistic thought.