彭加瑾(《文艺报》文艺部主任) 《金融潮》这部戏最值得探讨的就是情节剧如何在现实的电视艺术作品和电视艺术市场中发挥更大作用的问题。现在的电视剧创作更倾向于好看,让更多的百姓喜欢,象目前受观众喜爱的《宰相刘罗锅》、《东边日出西边雨》,都是因为市场占有率多的缘故。而这部戏的创作者们在情节剧模式进入长篇电视剧的创作中是有一些突破和新意的,至少这种现象本身的不断出现所提示的一种信号在这部戏里得到了较好的演绎。戏要好看,就要编,以情节为主的剧,故事为决定因素,但在编故事的时候不要生搬硬套,必须赋予情节可靠的生 Peng Jiajin (director of literary department of “Wen Yi Bao”) The most interesting exploration of “Financial Tide” is how the melodrama plays a greater role in the real TV art works and TV art market. At present, the creation of TV series is more apt to look good and make more people like it. Like the “prime minister Liu Liu pot” currently favored by the audience and the “west sunrise rain on the east side” all because of the high market share. However, the creators of this play have some breakthroughs and new ideas in the creation of the full-length drama in the melodramatic mode. At least the signal of the continuous emergence of the phenomenon itself has been well received in this movie Interpretation. The play should be good-looking, it is necessary to compile, plot-based drama, the story is the deciding factor, but when making the story not to be rigid, must give the plot a reliable life