传统水墨画中的笔墨,媒材多位一体历经数百年的操习精进、交融整合,早已使传统文化精神对笔墨形式语言的映射渗透(隐)和对工具材料特性的发挥(显)达到了相得益彰尽善尽美的程度。在这之外,要想重新建立一套相对完整成熟的系统,又要保持水墨的若干基本要素,其远不是单靠转换图式、更新观念或改变视觉样式短期内所能奏效的。虽然其作为补充和改良的作用不无价值,但却难以脱离前者的巨大引力场。 一方面力图要冲破“水墨”作为一种语言自身所具有的某种局限,把它作为一种“媒材”置于当代本土的艺术语境中,变更“水墨”的语言结构和内涵,要求使之面对当代的多种艺术问题并获得表达的自由度;同时还寄望以此形式独特的水墨媒材与西方的现代形式相抗衡,即要保持两种体系间的距离,以显示不同文化的差异。另一方面,体现了本民族深厚文化积淀的“水墨”本身由于高 Traditional Ink and Wash Painting Engravers, Media Integrators After hundreds of years of practice refinement, integration, integration has long been the traditional culture of the pen and ink forms of language mapping penetration (implicit) and the tool material properties (significantly) reached Complement each other perfect degree. In addition, if we want to re-establish a relatively complete and mature system, but also maintain a number of basic elements of ink and wash ink, it is far beyond the mere conversion of schemas, updating of concepts or changing of visual styles in the short term. Although its role as a supplement and improvement is not worthless, it can hardly escape from the huge gravitational field of the former. On the one hand, it strives to break through the limitation of “Ink and Wash” as a language itself and place it as a kind of “medium” in the artistic context of contemporary China, changing the language structure and connotation of “Ink and Wash” So that it can face contemporary art issues and gain freedom of expression. At the same time, it also hopes that this unique form of ink-and-water media can contend with the modern western forms, that is, to maintain the distance between the two systems so as to show the difference Cultural differences. On the other hand, the “ink and wash ink”, which embodies the deep cultural heritage of this nation, is due to its own high