中国古典戏曲好替受苦受难的女性打抱不平,但由于数千年强大的男权制文化传统使然,其中往往又掺杂着另一种不谐和之音,使最关键时刻发出从女到男的视角转换。元杂剧《秋胡戏妻》即是一例。《秋》剧思想倾向总体上值得肯定,这就是对男主角秋胡所作所为的蔑弃和对女主角梅英反抗 Chinese classical operas are good for women suffering from hardship, but thousands of years of strong patriarchal culture dictates that they are often mixed with another discordant tone that sends the most crucial moment from the female to the male Perspective conversion. Yuan drama “Autumn Cho drama” is an example. The tendency of thinking of “Autumn” plays is generally worthy of recognition. This is to discredit the actress Qiu Hu and to resist the actress Mei Ying