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新疆曲子戏是在西北小曲的基础上,经重新整合而产生的一种戏曲艺术形式。作为一种新的被认同的知识体系,其形成经历了一个由各地小曲传入、整合统一、确立三个重要时期。乾嘉时期西北小曲的传入为新疆曲子戏的发生创造了基本条件;道光时以“唱太平歌”代称西北小曲,促进了曲子戏的整合,民众对曲子戏的认知逐步统一;新疆建省和政策的驰松,为新疆曲子戏的形成奠定了基础;曲子戏民间自乐班社的社会行动巩固了民众对新疆曲子戏的社会认同。
Xinjiang Song and Dance Drama is a form of drama and drama created by reintegration on the basis of the Northwest Songs. As a newly recognized system of knowledge, its formation has undergone three major periods of introduction, integration and unification by the local operas. In the period of Qianjia and Jiaqing, the introduction of Xiaoqu in the northwest created the basic conditions for the occurrence of the song opera in Xinjiang. When Daoguang called “Singing Taiping Song” on behalf of Northwest Xiaoqu, it promoted the integration of the opera and gradually unified the people’s understanding of the opera. The relaxation of Xinjiang’s establishment and policy laid the foundation for the formation of the Xinjiang Quzi opera; the social action of the folk opera and folk music club consolidate the public’s approval of the Xinjiang Quzi opera.