如果说里下河文学流派小说创作是以汪曾祺为美学标志性的话,那么,我认为其主要原因,就是汪曾祺的小说与当时文坛上热闹非凡的“伤痕、反思、改革”的文学思潮作品的完全不同。这种不同,不仅仅是思想主题和审美趣味上的不同,更为突出表现出来的是文学创作观念上的不同。我更认为汪曾祺的小说是让当代文学小说创作重新回到“小”字上来的第一人。为什么这么说?又为什么偏偏是汪曾祺?很长的一个时期里,文学成了“工具”。而 If Lixiahe literary genre novels are based on Wang Zengqi as the symbol of aesthetics, then I think the main reason is that Wang Zengqi’s novels and literary thoughts of “scar, introspection and reform” Completely different. This difference is not only the difference between the theme of thought and the taste of aesthetics, but also the difference in concept of literary creation. I even think that Wang Zengqi’s novels are the first person to return the creation of contemporary literary novels to “small” characters. Why did you say that? And why is Wang Zengqi? A long period of time, literature has become “tool ”. and