海姆斯在《持枪的盲人》里从黑人种族主义、逆向种族排斥和种族隔离三个方面探究了黑色幽默与荒诞的内在关联,把种族关系视为一种不断朝荒谬方向发展的辩证关系,认为种族主义把荒谬引入人类生存环境,在受害者身上引发荒谬性,从而深化了种族主义者的荒谬性。海姆斯将种族主义社会幻化和魔化,使其与现实世界疏离,从反常切入正常,从荒诞切入现实,从而达到对现实进行审美的目的。 Heims explored the internal connection between black humor and absurdity in the “blind man with a gun” from three aspects: black racism, anti-racial exclusion and apartheid, viewing racial relations as a dialectical relationship that continues to develop absurdly , Argues that racism leads absurdity into the human environment and causes absurdity to victims, thereby deepening the absurdity of racists. Hyms turned the racist society into illusion and demonization, alienating it from the real world, moving from abnormal to normal and from absurd to reality, so as to achieve the aesthetic purpose of reality.