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三毛,作为上个世纪八十年代台湾最出名的作家,吸引读者目光的不仅仅是她那些具有生命力的文字,更有穿插在文字中的亦真实,亦梦幻的人生经历。无论是她的小说还是她的散文,还是她的游记,字里行间所透露出的情感,都能让读者对她当时的遭遇和境地感同身受,无所谓真实或是编造的故事,因为文字本身就具有极大的迷惑性,只要读者能够从文字中间获得快乐,满足启发就好。本文正是通过对三毛的作品《撒哈拉的故事》的解读,让我们又一次进入到三毛笔下那惟妙惟肖的语言文字。
As the most famous writer in Taiwan in the 1980s, San Mao attracted readers not only her viable words but also real and fantastic life experiences in her writing. Whether her novels or her essays, or her travels, the emotions revealed in the lines allow the reader to feel empathic about her encounters and situations at that time, regardless of whether the story is real or fabricated, because the text itself has a great deal Confusing, as long as the reader can get happiness from the middle of the text, to satisfy the inspiration. This article is precisely through the interpretation of the story of Saharawi, San Mao’s work, let us once again into the vivid language written by the three brush.