正在深化改革与扩大开放的中国,社会生活气象万千,文化也显得多元多样。于是,一个多元的大格局里,不免乱象丛生,也逃不了众声喧哗。其中,作为内容产品的电视艺术节目,数量堪称铺天盖地,受众最为广泛,影响不可小看,品质也最为良莠不齐,反响自是复杂。与之相应的电视艺术理论与评论,在当下中国文艺界所有的理论和评论中间,也是嗓门最高、音量最大,局面最为热闹,人们却也还是对它褒贬不一。小看它的、贬低它的,使得电视艺术连同它的理论与 China, which is deepening reform and expanding its opening up, has a lot of social life and a diverse culture. As a result, a wide range of multi-format, inevitably chaos, but also can not escape all the noise. Among them, as the content of television art programs, called the overwhelming quantity, the audience the most extensive, the impact can not be underestimated, the quality is also the most good and the very few, the response is complex. With the corresponding TV art theory and commentary, in the current Chinese literature and art all the theory and commentaries, but also the highest voice, the largest volume, the most lively situation, but people still admire it. Underestimate it, belittle it, making the art of television with its theory and