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对于戏曲旦角演员的发声教学,自古以来常用的教学方法便是传承式的训练模式和单一模仿式的教学方法,这种口传身授式的教学模式缺乏一定的科学性和系统性。例如旦角演员在发声中的科学性问题、气息的调整型问题、男生在变声期的唱腔问题等,这都是教学中需要面对和解决的问题。用科学的理论和方法对教学活动进行指导是提高旦角演员发声水平的需要。对目前的旦角演员发声教学有着实际性的意义。并且在教学中,中外音乐理论和实践并没有本质性的差异,所以将美声训练方法有效融入进戏曲教学中对戏曲教学有非常大的利处。
For the teaching of the vocal music of the actors and actresses, the teaching methods commonly used since ancient times are the inheritance training mode and the single imitation teaching method, which lack of scientific and systematic teaching mode. For example, the Dan actor in the voice of the scientific issues, the adjustment of the atmosphere of the problem, boys singing voice in the changing period, which are teaching problems that need to be addressed. Directing teaching activities with scientific theories and methods is necessary to raise the level of performers in the field. It is of practical significance to present the teaching of Danjiao actors. And in teaching, there is no essential difference between Chinese and foreign music theory and practice. Therefore, it is of great benefit to integrate traditional Chinese acoustics training method into traditional Chinese opera teaching.