从某种意义上来说,瓷板是将瓷艺与书法画艺结合得最为紧密、同时也是瓷器中与书画最为形似的一类器物,它以烧结的泥板代替纸绢作为文字和绘画的载体。最早的瓷板是以墓志形式问世的,始见于唐代的越窑,到元明时不断增多。入清之后,作为陈设美观之用的瓷板愈加风行,特别是康熙末年粉彩装饰工艺的出现,赋予了瓷板画极强的表现力和生命力,使其玩赏功能大大发展。晚清民国时期,以程门、金品卿、 In a sense, the porcelain plate is the most closely integrated porcelain art and calligraphy and painting, but also the porcelain and calligraphy and painting the most similar kind of utensils, it uses sintered clay instead of paper as the carrier of writing and painting . The earliest porcelain was published in the form of epitaphs, which began in the Yue kiln of the Tang Dynasty and continued to grow in the Yuan and Ming dynasties. Clear into the day, as the beauty of porcelain furnishings more popular, especially in the late Kangxi decoration process pastel, porcelain painting given to the strong expression of vitality and vitality of the play to make great development. Late Qing Dynasty Republic of China, Cheng Men, Jin Pinqing,