福州市文化局和福州閩剧院,于6月23日,邀集閩剧武戏老艺人,武功教师和青年武戏演員,召开了閩剧武戏座談会,討論如何发展閩剧武戏和培养武戏新生一代等問題。会上发言热烈,老艺人們认为,要使閩剧武戏发展、提高,首先要增加武戏的舞台实践机会。他們建議武戏工作要統筹安排,建立剧目輪換上演制度。赵长順、程利斌等說,有人看到兄弟剧种演出武戏,总是称羡不已,其实,閩剧武戏传統犹如丰富的矿藏,正待我們辛勤地去开采。比如,就演員 Fuzhou City Department of Culture and Fuzhou Min Theater, on June 23, invited Fujian opera Wu old veterans, martial arts teachers and young wushu actors, held a fierce drama Wu Min forum to discuss how to develop the military drama of Fujian opera and the training of the new generation of Wu play and other issues . There was a warm speech at the meeting. Old artiste believed that in order to make the development and improvement of military drama in Min Uprising, we must first increase the stage practice opportunity of martial arts. They suggested that the military theater work should be arranged in an overall manner and that a repertory system should be set up for rotation. Zhao Changshun and Cheng Libin said that people have always admired the fraternity of their brother operas. In fact, the tradition of martial arts in the Min operas is like a rich mineral deposit, awaiting us to hard-mow to mine. For example, on the actor