戏曲是角儿的艺术。好戏看绝活儿,绝活儿看好角儿!提起沈阳评剧院的冯玉萍,在戏曲界是众人瞩目,赞美颇多。八十年代的《风流寡妇》、九十年代的《疙瘩屯》、新世纪的《我那呼兰河》。她塑造的三个不同时期、不同身份、不同性格、不同遭遇、不同凡响的三个女性“吴秋香”、“喜莲”、“王婆”的形象给广大观众留下了深刻而鲜活的记忆。 Opera is a corner art. Good show superb child, superb child optimistic corner children! Mentioned Shenyang Ping Theater Theater Ping, in the opera world is the public attention, a lot of praise. “Merry Widow” of the 1980s, “Pimples” of the 1990s and “My Hulan River” of the new century. The images of her three women, “Wu Qiu Xiang”, “Xi Lin”, “Wang Po” in three different periods of her life, with different identities, different personalities, different experiences and extraordinary experiences, left the audience Deep and vivid memory.