摘枝花的装饰,对表现形式以及其欣赏者来说,都是非常自由的,它可随着朵花的姿态变化而变化,并可以达到一件作品远看整体,近看局部而发人深思的目的。它打破空间与时间的局限。摘枝花在陶瓷装饰中的表现形式包括对立、倾斜、俯仰、藏露和首尾呼应的各种处理。它形简意赅,因此,在造型、构图上非常细致,从对立中显示气势;从倾斜中传情,从俯仰中达意,从藏露中丰富整体。从表面上看,摘枝花的单元构图并不很完整,其实,装饰的完整性并不等于形象的完整,从许多陶瓷美术家的作品来看,作品 The decoration of picking flowers is very free for the expression and its appreciators. It can change with the flower’s attitude and can reach a whole body as far as it looks. Thinking purpose. It breaks the limitations of space and time. Picked flowers in the ceramic decoration manifestations include the opposition, tilt, pitch, hidden dew and end to end treatment of a variety of treatments. It is simple and concise, therefore, in the modeling, composition is very detailed, showing the opposite from the momentum; from the tilt in the teaser, from the pitch of Italy, from the hidden dew to enrich the whole. On the face of it, the unit composition of the flower picking is not very complete. In fact, the completeness of the decoration does not equal the completeness of the image. From the works of many ceramic artists, the work