和搞纪念活动一样,我们设立“旧文拾翠”这个栏目,同样不仅仅是为了抒发一种怀旧的情绪,而是希望大家能够通过这些从旧杂志、故纸堆里翻出来的文章中,更为真切、更为生动地窥见过去那个时代的梨园侧影。毕竟这些文章是“当时人说当时话”,与今天的文章相比,他们能说的、可说的、会说的,都很不一样。《且说侯喜瑞》写于上世纪70年代末,虽已不是京剧最为繁盛的“当时”了,但作者是“过来人”,文中对侯喜瑞几个代表剧目的评论,对一些演出细节的生动描述,读来令人神往。而这些能够“抓人”的“节骨眼儿”,应当正是挖掘京剧表演艺术之精髓的所在。 Like the commemoration, we set up the section of “Old Pickup Tsui,” not only to express a sense of nostalgia, but to hopefully we can even get through these articles emanating from the old magazine and the paper stack Really, more vivid glimpse of the past pear orchard silhouette. After all, these articles are “what people say then.” Compared with today’s article, what they can say, what they can say, and what they say, is very different. “And say Hou Xirui” written in the late 70s of last century, although it is not the most prosperous “at that time” of Beijing opera, but the author is “come over”, the article on Hou Xirui several representative repertoire comments, vivid description of some performances, read To fascinating. And these “grasping people” should be the essence of Peking Opera performing arts.