论文部分内容阅读
本文以探戈音乐的起源和发展分界的层面为起点,开始论述皮亚佐拉的成长和创作经历,并在着重赏析他的《遗忘》这首以手风琴与探戈为对象的代表名曲时,概括归纳出怎样从演奏中诠释好这类探戈音乐作品。
Starting from the level of the origin and development of tango music, this essay begins with an account of Piazzolla’s growth and creation experience. In the meantime, he pays special attention to his forgetfulness as the representative song for accordion and tango How to interpret this kind of tango music works from the performance.