无疑,郝世明的水墨不是自然主义,抑或抒情主义。他试图摆脱水墨画既定的历史经验,诸如意象表达、笔墨趣味等等。显然,这也是新一代水墨画家共同的特点——不再满足传统水墨画的区域文化属性,而试图在全球化逻辑中,将当代艺术的体验方式融入水墨画创作。作为新生代的一员,郝世明选择了一种“图式方法”来践行这种“融入”:他将描绘对象分解为编织化组合的线条,并通过线条组合的疏密关系,在平面中暗示对象空间。这使郝世明的作品具备了某种视觉识别性,并为当代艺术介入水墨提供了他个体北的经验,或者说通道 No doubt, Hao Shiming’s ink painting is not naturalistic, or lyrical. He tried to get rid of the established historical experience of ink painting, such as the expression of the image, the pen and ink and so on. Obviously, this is also a common feature of the new generation of ink painters - no longer meet the traditional regional cultural attributes of ink and wash, and try to integrate the experience of contemporary art in ink painting in the logic of globalization. As a member of the Cenozoic, Hao Shih-ming chose a “schema method” to practice this kind of “blending in”: he decomposes the depicted object into the lines of the weaved combination, , Implies the object space in the plane. This made Hao Shiming’s works possess some visual recognition and provided his own experience or channel to intervene in contemporary art