看李晨声先生导演的《生旦净末》,那平和、干净、雅致的画面,和那浓郁的中国传统亲情,显示出晨声先生一贯的艺术风格。然而,那童趣与童心,却大出于我的意外。《生日净末》的构思是颇巧妙的。一个外公,一个外孙成为主人公,中间隔着一个女儿,父亲对她又心存严重的隔膜,她却又偏偏突然将儿子送到父亲身边,拜托父亲抚养她的儿子。这最足以显示中国的亲情了。 Look at Mr. Li Chensheng’s “End of Life”, that calm, clean, elegant picture, and that rich traditional Chinese affection, showing Mr. Chen Sheng has always been the art style. However, that childlike and innocent, but out of my surprise. The concept of “End of Birthday” is quite subtle. A grandfather, a grandson as the protagonist, separated by a daughter, the father of her and the serious septum, but she happens to suddenly send his son to his father, please father to raise her son. This is most enough to show China’s affection.