波德莱尔在对美的定义中强调了“忧郁”这一特质,本文试图以《巴黎的忧郁》为文本,通过对刻画的众多巴黎边缘人的形象梳理,分析波德莱尔心中的孤独与忧郁及其在美学思想中的表现,波德莱尔对美的表现已经渗透在他的行文之中,他将观察结果和自己的主观心境融合在一起,将所思融入在所见之物中,表现了对美的独特的感受。 Baudelaire emphasizes “melancholy ” in the definition of beauty. This paper attempts to use the “Parisian melancholy” as a text, through the image of many of the Paris marginalized portrayed, the analysis of Baudelaire’s mind Loneliness and melancholy, and their performance in aesthetics, Baudelaire’s performance on the United States has permeated his style of writing. He combines the observation with his own subjective mood and integrates what he sees In the performance of the unique feeling of beauty.