在《五号屠场》中,主人公比利·皮尔格里姆一方面被刻画成基督形象,另一方面,他又扮演着小丑和傻瓜的角色。比利身上所体现的这种相反两极合为一体的矛盾性和双重性正契合了巴赫金对扑克牌人物头像的哲学解释。冯内古特使比利“脱冕”的目的在于亵渎神圣、颠覆权威,从而展示了后现代社会的深层内涵。 In Slaughter No.5, the protagonist Billy Pilgrim is portrayed as Christlike, on the one hand, and on the other, he plays the role of a clown and a fool. The contradictory and dual nature of this opposing bipolarity embodied in Billy is in harmony with Bakhtin’s philosophical explanation of the poker avatar. Vonnegut’s special envoy Billy “deconstruct ” aims to blasphemy the sacred, subvert the authority, thus demonstrating the deep connotation of post-modern society.