十几年前,读过姜德明先生的一篇散文,写的是他在西安观看秦腔艺人“迷三县”演出的一段经历。关于西安人如何喜爱秦腔,他是这样描写的:“到西安,我为西安人那样狂热地喜爱秦腔而吃惊了。夜晚,走过街头,往往可以听到从茶馆里传出悠扬的琴声和高亢的梆子腔。无论走到哪家秦腔剧院,观众总是满满的。有的戏院门外放了个扩音器,那就蹲满了秦腔迷。”联想到赵县(古为赵州)家乡父老对地方戏——泥沟丝弦的痴迷,我对姜先生的描述感同身受。 A dozen years ago, I read an essay by Mr. Jiang Deming about his experience of performing in the “Fansong County” performance in Xi’an. On the Xi’an how to love the Qin cavity, he is described: “To Xi’an, Xi’an, I am so fond of Qin cavalier love and surprised at night, walked the streets, you can often hear melodious melody heard from the teahouse And high-pitched son cavities.Whenever it came Qin Opera House, the audience is always full.Other theater door put a megaphone, then squat full of Qin cavity fans. ”" Think of Zhao County (the ancient Zhaozhou) hometown father and father of the local drama - mud ditches string obsession, I feel the same description of Mr. Jiang.