楼建筑的绘制方法是笔者在《画格与斜线在中国古代建筑壁画中的使用》博士论文中的研究重点之一。论文从绘画者的角度出发,以中国古代绘画理论为基础,具体分析画面上建筑物位置安排的方法、建筑物水平和垂直方向的绘制方法以及建筑物如何在图面上表现出前后感等.结果发现“经营位置”和“向背”(前后感)是绘制楼建筑最重要的原则,而画格与斜线是在绘制时具体运用的方法。本文是在以上的研究基础上,以两幅元代永乐宫纯阳殿建筑壁画以及一幅金代岩山寺建筑壁画为例.探讨画格与斜线在楼建筑绘制中的运用方法,并试图归纳出金、元时期绘制楼建筑壁画的实际操作方法。 The drawing method of building is one of the focuses of my research in the dissertations of “Using grids and slashes in ancient architectural murals in China”. Based on the theory of ancient Chinese painting, the thesis concretely analyzes the method of building location arrangement on the screen, the drawing method of building horizontal and vertical direction, and how the building shows the front-and-back feeling on the picture. The results showed that “business location ” and “back ” (sense of front and back) is the most important principle of the drawing building, and the painting grid and slash is the method of concrete use in drawing. This paper is based on the above research, taking two buildings of the Pure Yangdian murals of the Yongle Palace in the Yuan Dynasty as well as a mural of the Yanshan Temple in Jin Dynasty as an example.It explores the methods of using the grids and slashes in building the buildings and attempts to conclude The actual operation method of building frescoes in gold and yuan during Yuan Dynasty.