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“藏彝走廊”是民族学家、社会学家费孝通先生于1980年前后提出的一个历史——民族区域学术概念。由于走廊中以汉藏语系藏缅语族中藏语支和彝语支民族为多,费孝通先生将这一区域称为“藏彝走廊”。从民族学角度看,以语言来区分民族,特别是以历史语言学的谱系分类法来划分民族,是目前世界上通行的民族分类方法。这种民族学的方法影响了其分支学科——民族音乐学,在方法上,“是将民族共同体中操某一方言或某一不同语支民族群体居住区域作为空间范围规定,以该民族群体在此区域内传承的所有传统音乐为对象的调查。”~([1])这种结合语言学的划分方法在民族音乐学研究中的应用已受到广泛关注,比如,有学者就从具体研究中得出“藏族的方言区可看作藏族民俗音乐的色彩区”~([2])这样的结论。故此,将“藏彝走廊”这一民族学、历史学学术概念引入民族音乐学的研究,不仅能够扩大其研究视域,而且对于民族音乐学学科理论与方法亦有积极的借鉴作用。
“Tibetan-Yi Corridor ” is a historical-ethnical regional academic concept put forward by the ethnologist and sociologist Fei Xiaotong around 1980. Due to the large number of Tibetan and Burmese ethnic Tibetan and Burmese ethnic groups in the Sino-Tibetan corridor, Mr. Fei Xiaotong called the region “Tibet-Yi Corridor.” From ethnographic point of view, the language to distinguish between ethnic groups, especially in line with historical linguistic pedigree classification of ethnic groups, is the world prevailing ethnic classification method. This method of ethnography influenced its branch of ethnomusicology. In terms of methodology, “” is to define the living area of a dialect or ethnic group living in a certain ethnic group as the scope of the space, The survey of all the traditional music that the group inherited in this area is the subject of investigation. “~ ([1]) This linguistic approach to linguistics has drawn wide attention in the study of ethnomusicology, for example, The specific research shows that ”the dialect area of Tibet can be regarded as the color area of Tibetan folk music“ ~ ([2]). Therefore, the introduction of ethnic ethnology and historical academic concepts of ”Tibetan and Yi Corridor " into ethnomusicology can not only expand its research perspective, but also serve as a positive reference for ethnomusicology theories and methods.