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1980年至今,美国的政治、社会、经济和文化发生了显著的变化,这促使依赖于此的美国人类学调整自身的实践动机、研究对象及理论方法,以开启学科之新征程。与此同时,美国的博物馆亦开始吸纳人类学的新动态,将策展主题聚焦民族志艺术,同各类文化的代表者进行不同形式的合作。在此过程中,一方面,博物馆作为体现多元文化场所的新定位得以确立,美国民众对多元文化的需求亦得以满足;另一方面,各界则围绕着博物馆就有关文化产权、传统秩序、后现代主义和文化“本真性”等议题展开激烈的讨论。
Since 1980, remarkable changes have taken place in politics, society, economy and culture in the United States, prompting American anthropology relying on it to adjust its own practical motivation, research objects and theoretical methods to open a new course of discipline. At the same time, the museums in the United States have also begun to absorb the new trends in anthropology, focusing their curatorial themes on the art of ethnography and carrying out different forms of cooperation with representatives of various cultures. In the process, on the one hand, the museum has been established as a new location embodying multiculturalism and the needs of the American public for multiculturalism have also been met. On the other hand, people from all walks of life have revolved around museums on cultural property rights, traditional order, postmodernism Doctrine and culture “authenticity ” and other issues heated discussion.