论文部分内容阅读
燕卜逊提出含混之说,可视为现代诗语的属性之一,它的多义、歧解体现了张力的某些属性。诗语的含混,主要源于人类认识论上的模糊思维。诗语的含混美,维系着繁复与不确定效应。以杨炼的“空间结构”型文本为主要分析对象,肯定其在难懂之间所抵达的含混美与繁复美风格。而含混的远端是晦涩,籍此也对长期来被斥责的晦涩做出相应的辩解。
Jubilee put forward the ambiguity that can be regarded as one of the attributes of modern poetry, its polysemy, disagreement reflects some of the attributes of tension. The poetic ambiguity stems mainly from the vague thinking of human epistemology. The mixed beauty of poetry, maintaining the complex and uncertain effects. Taking Yang Lian’s “space structure ” type text as the main analysis object, I affirm its implicit beauty and complicated beauty style which are difficult to understand. The vague distal obscure, which also blames the long term to be blamed for the corresponding excuse.