在一个多元文化杂陈的社会语境下,艺术的终极目标与关怀往往为新变事物的非常态所遮蔽。当消费社会的视觉文化快餐与精英文化的界限徘徊于金融资本流向的时候,我们如何正视当代视觉思想的变化?同时在这个思想的迁流中,对传统艺术新变的路径与价值的叩问无疑已成为当代艺术问题的瓶颈。从艺术演变史的角度观之,认知当代艺术最大的困境还在于以下现状:艺术的发展趋势不再从一个范式过度到另一个范式,如中国明清文人对画史分野流变的梳理(以王世贞、莫是龙、 In a multi-cultural and heterogeneous social context, the ultimate goal and care of the arts are often overshadowed by the abnormality of new things. When the limits of visual culture, fast food and elite culture in consumer society are hovering over the flow of financial capital, how can we face up to the changes in contemporary visual thinking? At the same time, we must doubtlessly doubt the path and value of the new changes of traditional art in the migration of this thought Has become the bottleneck of contemporary art issues. From the perspective of the history of artistic evolution, the biggest dilemma of recognizing contemporary art lies in the fact that the development trend of art is no longer from one paradigm to another. For example, To Wang Shizhen, Mo is a dragon,