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时至今日,我依然清晰地记得观看话剧《爱的构思》所引起的困惑和思索。当我沉思着缓步走出上海青年话剧团排演厅的时候,一位朋友问我对此剧的感想。仓卒之间自然也很难将自己的观剧感受条分缕析加以整理,但不知怎么搞的,仿佛骨骾在喉、不吐不快似的,我竟把自己的某种忧虑以一个偏正词组表达了出来:可怕的形式。其实,用这样的话语来评判《爱的构思》,应该说是有失偏颇的。因为这台大戏毕竟对我国现阶段并存的诸种性爱道德观念和婚姻家庭状况进行了有成效的比照探讨,尽管剧本最终的主题流向并没有具有能使读者充分
Today, I still vividly remember the puzzles and thoughts caused by watching the drama “The Conception of Love.” As I walked slowly out of the Shanghai Youth Theater Rehearsal Hall, a friend asked me about my feelings about the play. It is also very difficult for the harem to view the dramas of their own viewpoints. However, I do not know what to do with them. It seems as if my bones are in the throat and my spit is not like I express my anxiety in a biased orthodontic phrase Out: terrible form. In fact, judging “the idea of love” in such words should be said to be biased. After all, this opera has made fruitful reference to the various moral morals and the status of marriage and family coexisting at the present stage in our country. Although the final theme of the script does not have the features that can make the readers fully