在《装饰》杂志工作,常常觉得它象是棵大树,而我们则托庇于它的绿荫之下。 这样说,并不是“吃老本”的意思,而是说,后人在自《装饰》问世以来所建立起的学术理念的旗帜下,已经踏实行进许久了。 说《装饰》是棵“大树”,首先指它当年形成的社会影响。1958年创刊时,编委会的阵容何其强大,张光宇、张仃、雷圭元、陈叔亮、吴劳、陈之佛、沈福文、邓白、杨士惠……,几乎所有老一辈工艺美术大家均列其中,更有沈从文这样由文学转向文博研究的著名学者。 Working in the magazine, I often feel like a big tree, and we shelter under its shade. Saying this is not the meaning of “eating the old capital,” but rather that the descendants have already worked steadily for a long time under the banner of academic ideas established since the advent of “decoration”. Saying “decoration” is a “big tree”, first of all referring to the social influence it formed in that year. In 1958, when the editorial board was so influential, Zhang Guangyu, Zhang Ding, Lei Guiyuan, Chen Shuliang, Wu Lao, Chen Zhifu, Shen Fuwen, Deng Bai and Yang Shihui ... almost all of the older artists were included , More Shen Congwen from literature to the well-known scholar of liberal arts.