文学批评参照系一方面决定于文学作品实践意义上的功能,决定于文学接受者,一方面又存在于文学作品本身的特质之中。以时间检验、新颖性、多义性作为检验作品价值的标准,往往似是而非,缺乏批评参照系之必须具有的合法性。文学的本质是对生活真理的发现,发现了什么和如何表现其发现是衡量文学作品的根本,据此,人们便会很自然地确定这样两项重要的批评参照系:独创性与合规律性的统一,极端性与合目的性的统一。 On the one hand, the frame of reference of literary criticism depends on the practical function of literary works, which depends on the recipient of literary works and on the other hand exists in the characteristics of literary works itself. The test of time, novelty and polysemy as the test of the value of the works are often plausible, lacking the necessary legitimacy to criticize the frame of reference. The essence of literature is the discovery of the truth of life, the discovery of what and how it is manifested, and the discovery of it as the basis for the measurement of literary works. Therefore, people will naturally determine such two important critiques as originality and conformity The unity of unity, extremeness and unity of purpose.