论文部分内容阅读
去年春,我们在南斯拉夫参加了第四届国际戏剧家讨论会,观摩了第二十届萨拉热窝小型实验会演,第二十四届南斯拉夫戏剧会演,看了三十三场话剧,使我们对国外戏剧的演出形式与舞台美术发展趋势有了一些了解。这些演出,除美国、法国、肯尼亚艺术家演出的三场外,其余都是南斯拉夫艺术家演出的话剧。剧目内容非常丰富,反映了欧洲各国不同历史时期的各种人物与生活。从戏剧类型上说,既有正剧、悲剧、喜剧,又有宗教剧、历史剧、闹剧。南斯拉夫艺术家不是以一种演出形式与布景样式去适应各种剧目的演出,他们努力寻找每一个戏所特有的表现形式,并取得了可喜的成果。对这种艺术上的探索精神我们是非常欣赏的。
Last spring, we participated in the 4th International Conference of Theater Dramatists in Yugoslavia, observed the twentieth session of the small experimental seminar in Sarajevo, the twenty-fourth session of the Yugoslav Drama Society, the thirty-three drama series and the foreign drama series The form of performance and stage art trends have some understanding. These performances, in addition to the United States, France, Kenya, performed by three artists, the rest are performed by Yugoslavian artists. Repertory content is very rich, reflecting the European countries in different historical periods of various characters and life. From the type of drama, both drama, tragedy, comedy, but also religious drama, historical drama, farce. The Yugoslavian artists did not adapt themselves to various repertoire performances in one form of performance and set style. Instead, they endeavored to find expressions that were unique to each play and achieved gratifying results. We are very appreciative of this artistic exploration spirit.