云蒙一带山,有一点险。它的耸峻,画里见过似的,是李唐的《万壑松风图》。山石攒聚,大而尖峭,以昂仰的姿态插向天。真是天地之骨。一个画家到了这里,满眼该是粗细之线、浓淡之墨吧。要画它,宜用大斧劈,舍此皴擦,别无办法。骷髅皴只适合去画玲珑湖石,在这里用不上。王摩诘写过《山水论》,明白巅、岭、岫、崖、岩、峦、川、壑、涧、陵、坂的异同,所谓“粗知山水之仿佛也”。云蒙诸峰,平夷顶尖者、峭拔相连者、有穴者、峭壁者、悬石者、形圆者、路通者、两山夹道者、两山夹水者、似岭而高者、极目而平者,具状不一,皆能得睹。纵目都是这样的山容,是叫人惊心的!仇英、石涛画山,圆转流美、秀妍艳爽之中,又含一段风骨,最为我喜欢。粗犷的笔痕、凝重的墨色,由大自然的法度中来。我放胆说一句,观云蒙而知天下山。 Clouds and mountains, a little risk. Its towering, seemingly similar to the painting, is Li Tang’s “ten thousand loose pine figure.” Shakespeare gathered, big and steep, with an attitude of grace inserted into the sky. Really is the bone of heaven and earth. An artist here, eyeful is the thickness of the line, shades of it. To draw it, it is appropriate to use ax, give this rub, no other way. Skeleton 皴 only suitable for painting exquisite lake stone, not to use here. WangMoMi wrote “landscape theory”, understand the top, ridge, Xiu, cliff, rock, mountain, river, ravine, stream, mausoleum, Sakamoto similarities and differences, the so-called Cloud Mongolian peak, top of the flat bar, connected with the cliff, there are acupuncture points, cliffs, hanging stone, shaped round those who road, two mountain climbers, two mountain water, like the ridge and the high, Very flat and flat, different shapes and sizes, all can see. Longitudinal are such a mountain, is awe-inspiring! Qiuying, Shitou Hua Shan, roundabout flow beauty, show Yan Yan Shuang, but also with a period of strength, the most I like. Rough pen marks, dignified ink color, from the nature of the law to. I say so boldly, the concept of cloud heaven and earth know.