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上世纪60年代,现代主义文学运动在台湾文坛达到了高潮。白先勇、王文兴、陈若曦、欧阳子、黄春明、七等生等作家,主动吸收西方现代主义艺术手法和表现技巧创作了一批富有实验精神的经典作品,推进了台湾文学的创新和发展。除此之外,当时还有司马中原、段彩华、邵僴等一批作家“写的是乡愁或怀旧,但是在技巧上,或多或少融入心理或幻想的象征技巧,或者以梦的形式,或者以鬼怪的形象在文本中飘移游动”。1司马中原本名吴延玫,1933年出生于江
In the 1960s, the modernist literary movement reached a climax in Taiwan’s literary arena. Writers such as Bai Xianyong, Wang Wenxing, Chen Ruoxi, Ouyang Zi, Huang Chunming and Qixiang took the initiative to absorb Western modernist art techniques and performance techniques and created a batch of experimental works with classic spirit to promote the innovation and development of Taiwanese literature. In addition, a group of writers such as Sima Zhongyuan, Duan Caihua and Shao Xun wrote nostalgia or nostalgia at the time, but they were more or less skillfully integrated into the symbolic skills of psychology or illusion, or in the form of dreams , Or wandering in the text as a ghost’s image. " 1 Sima originally named Wu Yanmei, born in 1933 in Jiang