“文学是生命学”的命题,要求我们的作家、艺术家弘扬传统与现代糅合的人道主义精神、生命哲学意识,这就是珍重生命、生命平等、善待动物、生态平衡等等。本文以近年深圳若干作家文本为例,昭示“生命文学”的意义,就在于它为作家提供了更广阔的艺术空间,以进一步反思“人类中心主义”的弊端,前提是作家必须克服在地球上“唯我独大”的心态,尽快从一味的居“人”自傲的良好自我感觉中摆脱出来,对伴随人类社会发展出现的生命歧视问题进行更为理性、全面的剖析与反思,并努力为人类走出生态困境寻求可能的出路。 “Literature is life science ” proposition, requires our writers and artists to carry forward the traditional and modern blend of the humanitarian spirit, philosophy of life philosophy, which is to cherish life, equality of life, treat animals, ecological balance and so on. This paper takes several writers in Shenzhen in recent years as examples to show that the meaning of “life literature ” lies in that it provides a broader artistic space for writers to further reflect on the drawbacks of “anthropocentrism”, provided that the writer must Overcome the mentality of being “the only one of me alone” on earth, extricate myself from the prudent self-feeling of dignity and self-prudence as soon as possible and conduct a more rational and comprehensive analysis of the life discrimination that accompanies the development of human society Analysis and reflection, and strive to find a possible way out for the human predicament.