论文部分内容阅读
水墨的神韵,最能体现中国传统文化的精神特质。在水墨画中,留白的运用,往往又是画龙点睛之笔。水墨画中的留白,无异是另开辟了一个清湛的生活源泉。艺术如此,课堂教学同样如此。陶行知说:教育中要防止两种不同的倾向:一种是将教与学的界限完全泯除,否定了教师主导作用的错误倾向;另一种是只管教,不问学生兴趣,不注重学生所提出问题的错误倾向。前一种倾向必然是无计划,随着生活打滚;后一种倾向必然把学生灌输成烧鸭。所以,在课堂教学中,“留白”是一种教学方法,是一种教学艺术,更是一种水墨神韵的文化的追寻。
Ink charm, most can reflect the spirit of traditional Chinese culture. In the ink painting, the use of blank, often the finishing touch. Ink and wash in the blank, is the same as the other opened up a clear source of life. Art is the same, classroom teaching is the same. Tao Xingzhi said: To prevent two different tendencies in education: one is to completely eliminate the line between teaching and learning, which negates the wrong tendency of teachers ’leading role; the other is to teach but not to ask students’ interest and not Pay attention to the wrong tendency of students’ questions. The former tendencies must be unplanned as life rolls; the latter tendencies inevitably inculcate students into roast ducks. Therefore, in classroom teaching, “Leaving the White ” is a teaching method, is a kind of teaching art, but also a cultural pursuit of ink and wash charm.