陶瓷彩绘分釉上彩及釉下彩两大类。青花瓷器是属于釉下彩的一种。它是采用呈稳定蓝色的稀有金氧化钴及铁、锰的混合物(我国出产的叫珠明料)作为着色剂,颜色渗透到胎骨,罩上一层青白釉,使器皿的花纹闪耀着像宝石蓝的光彩,让人感到清澈明快,幽雅宁静,浑厚朴实。釉下彩不像轴上彩那样容易脱落,很适合于饮食用具的装饰,所以受到广大人民的喜爱的。青花绘瓷艺术,在我国陶瓷厂史上有着光耀灿烂的成就。明代民间青花风格豪放、洒脱、简练、表现力强(青花在坯上描绘,坯有吸水性,可以表现大写意,也可以勾填,没有任何拘束),有些作品已超过了同时代的绘画水平。明清的官窑青花,工整、清纯,另成一格。我国的青花瓷器无论在题材内容、装饰结构及绘瓷技法等方面都达到炉火加纯的境地。 Ceramic painted sub-glaze color and underglaze two categories. Blue and white porcelain is a kind of underglaze. It is the use of a stable blue rare cobalt oxide and iron, manganese mixture (produced in China called beads Ming materials) as a coloring agent, the color infiltrated into the fetal bones, covered with a layer of white glaze, so that the pattern of vessels shining Like the sapphire blue, people feel clear and lively, elegant and quiet, simple and honest. Underglaze color is not as easy off as axis color, it is suitable for decoration of food utensils, so by the majority of people’s favorite. Blue and white porcelain art, in the history of China’s ceramic plant has a brilliant achievement. Ming Dynasty folk blue and white style bold, free and easy, concise, expressive (blue and white painted on the blank, the billet has water absorption, you can express a sense of gratitude, you can fill in, without any binding), some works have exceeded the contemporary level of painting . Ming and Qing Guanli blue and white, neat, pure, another into a grid. China’s blue and white porcelain both in the theme of content, decorative structure and painted porcelain techniques and other aspects have reached a furnace plus pure situation.