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在前卫和后现代领域中把当代中国过多标榜的艺术“宣言”是与20世纪90年代后期中国当代艺术出现的“失语”症状有直接联系的,相当长时间内,艺术评论家们只是在娴熟的讲述西方人关于现代和后现代的艺术理论概念和其所宣称的
In the avant-garde and postmodern fields, it is directly related to the “aphasia” symptom that appeared in the Chinese contemporary art of the late 1990s in the past when too much of the art “manifesto” of contemporary China is advertised. For quite a long time, The family is merely adept at telling Westerners about the concepts of modern and postmodern theory of art and what they claim