安妮·塞克斯顿是美国诗坛最坦率大胆、最具“自白”色彩的诗人,在其将近二十年的创作生涯中,“母女关系”这一主题贯穿始终。塞克斯顿在其母性诗写中同时呈现了她在生理、心理层面对母亲的贱斥与吸引。她将母体之恶作为新的审视点,展示一种变形的、扭曲的母女关系,以贱斥母体、否定母亲来构建自我身份,确立新的女性自我识别体系。但问题是,塞克斯顿在颠覆传统母亲价值的同时,却不知如何建立一套新的价值体系以应对父权制象征界的规训与冲击。在生存的困惑、孤独与焦虑中她逐渐失去了自己的角色坐标,只能退回到对母体的体认和对母亲的依赖状态,最终以自杀的方式从象征界解脱出来,回归原初不分主客体的母性混沌世界,在温暖的母性空间中获得自我认同并实现自我救赎。 Anne Sexton is the poignant and most “poetic” poet in American poetry. Throughout his creative career of nearly 20 years, the theme of “mother-daughter relationship” runs through. In her mother’s poetry and writing, Sexton presented her with her mother’s slaying and attracting both physically and psychologically. She uses her mother’s evil as a new point of view to show a distorted and distorted relationship between mother and daughter, to deprive her of motherhood and to negate her mother to build her identity and to establish a new system of female self-identification. But the problem is, Sexton subverts the value of traditional mothers, but I do not know how to establish a new value system to deal with the discipline and impact of patriarchal symbolic community. In the confusion, loneliness and anxiety of survival, she gradually lost her role coordinates, only to return to the mother’s identity and dependence on the mother, eventually suicide way from the emblem of freedom, return to the original regardless of the Lord The mother’s chaotic world of objects gains self-identity and self-salvation in a warm motherhood.