近几年,在电影和小说的创作选材上有个特点,就是远离当代的现实生活,要么把笔锋仲向中国古代,要么就写本世纪的初年。选材只是问题的前一半,跟着的就是写作上的随意。今天活着的人,谁也没见过描写的那个时代。既然谁都没见过,那就好“蒙事”了——换一种体面说法,可以叫做抒发“主体意识”。 In recent years, there has been a special feature in the selection and selection of films and novels, that is, to stay away from the real life of the present era and to either write to China in ancient times or write the first year of this century. Material selection is only the first half of the problem, followed by writing on the random. No one alive today, no one has seen the description of that era. Since no one has ever seen it, then it is good that “monsters” - for a decent one, can be called expressing “subjective consciousness.”