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文艺美学作为当代美学的重要分支,已经形成了较为成熟的学科体系,与传统的文艺学相比,具有了明显的当代美学理论架构,并且形成了几个重要的理论支点。这些理论支点也正是美学进入当代的标志。文艺美学以文学艺术的审美特征与审美规律为研究对象,其内在的逻辑思路便在于文学自身所具有的艺术属性。文艺美学将文学艺术进行一体化的研究,既有理论基础的渊源,又有客观的基础,其共通之处便在于审美价值生产与艺术美学美感的享受。这些理论支点表征出美学所产生的当代理论转折,其中主要之点在于审美价值的凸显,对于艺术媒介(符号体系)研究以及艺术审美经验的集中揭示。这是展示美学在当代生长与发展的重要标志。
As an important branch of contemporary aesthetics, literary aesthetics has formed a relatively mature discipline system. Compared with the traditional literature and art, literary aesthetics has obvious theoretical framework of contemporary aesthetics and has formed several important theoretical fulcrums. These theoretical fulcrums are also the hallmarks of aesthetics entering the present age. With the aesthetic characteristics and aesthetic law of literature and art as the research object, literary aesthetics has its inherent logical train of thought lies in its own artistic attributes. Literature and art aesthetics The integration of literature and art research, both the theoretical basis of the source, but also have an objective basis, its common lies in the production of aesthetic value and artistic aesthetic enjoyment. These theoretical fulcrums represent the turning point of the contemporary theory produced by aesthetics. The main points are the highlights of aesthetic value, the concentrated revelation of the research on the art media (the symbolic system) and the artistic aesthetic experience. This is an important indicator of aesthetics’s growth and development in the contemporary era.