看了龙江剧《双锁山》、《荒唐宝玉》,感受最深的,是主演白淑贤在艺术上的独创意识。就表演意识而言,我接触过四种类型的戏曲演员: 一曰“练功意识”。既然唱、念、做、扜,手、眼、身、步都是功夫,因之,演员视戏曲表演为练功。只要把台下练就的一招一式、一字一腔,准确无误地“搬演”于舞台,就算“功德圆满”了。这种表演只是机械的、重复性的劳动。此类演员为数不少,在青年中尤多。这与从小学戏,就受“磕模子”式的教学方法和普遍重功(对剧目教学中各种所需基本功的要求)轻戏(对角色性格、心理的内在体验与外在体现 Watched the Longjiang drama “Double Lock Hill”, “Absurd Gem”, the deepest feelings, is starring Pak Shuxian in the art of original ideas. In terms of performance awareness, I have been exposed to four types of opera actors: one is “exercise awareness.” Since singing, reading, doing, 扜, hand, eye, body, step are Kung Fu, therefore, the actor as the drama performance for practice. As long as the practice of the stage one by one, a word, a cavity, accurately “move” on the stage, even if “merit”. This performance is just mechanical, repetitive work. A large number of such actors, especially in youth. This is similar to that of elementary school drama, which is influenced by the teaching methods of “knocking mold” and the universal re-emphasization of the various basic skills required in the teaching of the play. (The inner experience and outward manifestation of the character’s personality and psychology