在季云飞的水墨作品中,乡愁对应的是面对现代性后果的重新审视与反思,而非是纯粹的基于“文化身份”的美学选择;他的作品既有时代的烙印,也有对现实的批判,而联结两者的是近乎于寓言的叙事。 In Ji Yunfei’s ink works, nostalgia corresponds to the reexamination and reflection in the face of the consequences of modernity, rather than purely aesthetical choice based on “cultural identity ”; his works have both the imprint of the times and the reality The critique, and the combination of the two is near-allegory narrative.