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笔者在多年的藏石经历中,虽说收藏了不少象形石,但是就觅石取向而言,尤其喜爱形式诡谲、内容多寓的抽象石,不求形似,但求意深,与看似“无意味”美感的石头对话,除了能感受到大自然鬼斧神工的奥秘,还能从其对称、均衡、内外、缓急、平衡、流变的结构变化中,领悟到难以名状的意蕴美。长期以来,赏石界之所以对抽象石缺乏适应性,笔者认为主要有三种原因:一、
In many years of Tibetan experience, I collected a lot of hieroglyphs, but in terms of looking for stone, I particularly like the abstract stone with many forms and content. In addition to being able to feel the secrets of nature, the Stone Dialogue of “No Mental Beauty” can understand the unspeakable beauty of beauty from its structural changes of symmetry, balance, internal and external, urgent, balance and change. For a long time, the reason why the ornamental stone community lacks the adaptability to the abstract stone, I think there are three main reasons: First,