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用“××并××着”的句式来写我所敬重的舞者,李承祥是第三位。第一位我写了舒巧,用的是“纠结并敞亮着”;第二位我写的是赵国政,用了“机敏并淡定着”。其实当下流行的句式已是“且×且××”了,但这似乎更适合描写意气风发的青年;我自己已是“奔六”的过来人了,在梳理“过来”的思路时再一次注意到李承祥。这倒并非因为今年是芭蕾舞剧《红色娘子军》创演50周年,而是在系列撰写中国当代舞剧“若干大家”之时,注意到他是不能不谈的话题。我将李承祥与李仲林、舒巧、
To write my respect dancer with the sentence pattern of “xx and xx”, Li Chengxiang is the third person. The first one I wrote Shu Qiao, using the “tangled and open light”; the second one I wrote is Zhao Guozheng, used “alert and calm ”. In fact, the current prevailing sentence is “and × × × ×”, but this seems more suitable for description of high-spirited youth; I have been “Ben Liu” come from, in the sort of “over” Li Chengxiang once again noticed when thinking. This is not because this year marks the fiftieth anniversary of the creation of the “Red Detachment of the Red Detachment of Ballet,” but instead notices that he is a topic he can not talk about when he is writing a series of contemporary Chinese ballet “Some of the Masters ” in the series. I will Li Chengxiang and Li Zhonglin, Shu Qiao,