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宝莱坞电影《时尚》将镜头对准了印度时尚业,导演试图通过主人公的人生经历将时尚业最真实的一面展示给观众。和《时尚》同为宝莱坞巨制的《火之通途》讲述的则是一个有着激烈场面而又有老套剧情的复仇故事。本文侧重将两部影片中的两位主人公在形象以及各自的人生方向上进行比较分析,剖析印度社会发展的真实现状以及人由生活环境变化的落差而造成的自我迷失。
Bollywood film “Fashion” will be shot at the Indian fashion industry, the director trying to life through the protagonist of the fashion industry will be the most authentic side to the audience. And “fashion” with the Bollywood giant “Fire of the Thing” tells a revenge story with a fierce scene and a stereotyped plot. This article focuses on the comparative analysis of the two protagonists in the two films in their images and in their respective life directions. It analyzes the real status quo of social development in India and the loss of self-consciousness caused by the changes in people’s living environment.