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文章运用孙绍振的审美错位理论,对周朴园、蘩漪的形象进行了解读,认为,蘩漪虽然邪恶,但与美构成奇异的交融,形成了恶之美。而对于周朴园来说,他不乏善的表现,但又认为金钱万能,对周围的亲人漠不关心,形成了善之丑。同样,错位的理论对于其他文学形象也具有阐释的效果,如《骆驼祥子》中的虎妞以及《战争与和平》中的安娜·卡列尼娜。
The article uses the theory of aesthetic dislocation of Sun Shaozhen to interpret the images of Zhou Puyuan and Yiyi. It holds that although Yiyi is evil, its unique blend with beauty forms a vicious beauty. For Zhou Puyuan, he has no lack of good performance, but also considered the omnipotent money, indifferent to the surrounding relatives, forming a good ugly. Similarly, the theory of dislocation has the effect of interpreting other literary images, such as the tiger girl in “Camel and Shoko” and Anna Karenina in “War and Peace.”