编剧邹静之的话剧剧作中,作者特质和文脉风格与他的其他文体的作品是一脉相承、互为映衬的,整体上都是在描绘着处于后现代文化力场里的传统文化形态。本文以邹静之作者身份特点中的“文化”与“人性”为切入点,通过分析邹静之的四部话剧作品,以及这些作品在主题层面的危机与重建、在人物形象层面的欲望与行为、在文学性层面的结构手法与感悟哲思,解读邹静之剧作文本中内在一致的特有内涵,以及它们在当代戏剧舞台上所体现的文化价值。 Writer Zou Jingzhi’s plays, the author’s characteristics and context style and his other stylistic works is the same strain, each supporting the other, as a whole are in the post-modern cultural force in the traditional cultural forms. This article takes “culture” and “humanity” as the starting point in the identity characteristics of Zou Jingzhi’s author. By analyzing Zou Jingzhi’s four dramas, their crisis and reconstruction at the thematic level, the desire and behavior at the character level , The structural approach at the literary level and the sentiment and philosophical thinking, the inherent connotation of Zou Jingzhi’s play texts, and their cultural values ​​embodied in the contemporary drama stage.