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当代俄罗斯社会的运行状况使其戏剧创作蒙上了一层荒诞色彩,无处不在的荒诞逻辑吸引和改造着当代俄罗斯导演们在生活中的感情,并以“残酷戏剧”的艺术表现形式在舞台上呈现出来。文中所关注的俄罗斯当代戏剧导演Б.福金、Б.米尔佐耶夫和А.纳扎罗夫及其作品对俄罗斯戏剧舞台上人类生存的荒诞性做出了近似“残酷”的艺术阐释,分别从不同的舞台维度呈现出属于残酷美学的特质。笔者认为俄罗斯当代戏剧与法国戏剧理论家阿尔托所倡导的“残酷戏剧”存在某种关联,对于现代导演来说,更应该关注的是20世纪戏剧所蕴含的残酷美学特质本身。
The current state of Russian society has cast a dramatic absurdity in its drama creation. The ubiquitous absurd logic has attracted and transformed the feelings of contemporary Russian directors in life. With the artistic expression of “brutal drama” Appear on the stage The contemporary Russian theater directors Б.Fujin, Б. Mzozayev and А. Nazarov, and their works, focus on the “cruel” art of the absurdity of human existence on the Russian drama scene Interpretation, respectively, from different stages of the show a cruel aesthetic characteristics. The author thinks there is some connection between Russian contemporary drama and “cruel drama ” advocated by the French theatrical theorist Alto. For the modern director, what should be paid more attention to is the cruel aesthetics trait inherent in the 20th century drama.