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在当前消费社会及非物质文化遗产抢救与保护工作的时代语境下,西南少数民族民间艺术产业化迎来了前所未有的历史机缘,就其发展的情况观之,主要表现在政府主导、企业主导与民众自发等路径表现。虽说通过这些路径选择使得少数民族民间艺术产业化在地域空间上找到了释放可能与展示平台,但是在产业化的具体实施过程中雷同化、类型化、零碎化等问题依旧突出。为实现更加有效的发展,应该从民间艺术的文化内涵、消费市场、民间艺术生产经营主体等方面来加大开发的力度。
Under the current context of the era of rescue and protection of consumer society and intangible cultural heritages, the industrialization of folk art in southwestern ethnic minorities ushered in an unprecedented historical opportunity. In terms of its development, it is mainly manifested in the government-led and enterprise-led And the public spontaneous path performance. Though these path choices make the industrialization of folk art of ethnic minorities find a possible and revealing platform in the geographical space, the problems of assimilation, typeization and fragmentation remain prominent in the concrete implementation of industrialization. In order to achieve more effective development, efforts should be made to expand the cultural connotation of the folk art, the consumer market and the main body of folk art production and management.