本文以传统乐器钢琴为研究对象,对它的创作技法和演奏技法进行分析,针对其可能模仿的打击乐音响进行探索,并且对这些音响在作品中的运用技法和记谱法进行分析,在对钢琴传统的“打击乐化”音响研究的同时,也为作曲家提供了一些非传统的钢琴音响及打击乐音响,为钢琴的写作创造了更大更广阔的空间。 This article takes the traditional instrument piano as the research object, analyzes its creative technique and playing technique, explores the percussive sound that it may imitate, and analyzes the using technique and notation method of the sound in the works. Piano traditional “percussion ” sound research, but also for the composer to provide some non-traditional piano sound and percussion sound, writing for the piano to create a greater and broader space.